from self-portrait as a family man.
Showing posts with label my favourite artiste. Show all posts
Showing posts with label my favourite artiste. Show all posts
Tuesday, May 13, 2008
Monday, May 12, 2008
LIKE!
Library for the Birds of Antwerp 1993Library for the Birds of Massachusetts 2005
Steel, maple tree, plywoood, books, and mixed media 20 x 18 x 20 feet
Steel, maple tree, plywoood, books, and mixed media 20 x 18 x 20 feet
COSIMA VON BONIN
"installationsannicht"
Specifically I became interested in the role of masculinity in contemporary society through ritual, gender relations, authority, and fraternal orders. I wanted to investigate current social demands for a male re-evaluation of constructed identities and the resulting impact it has on 'masculine' sensibilities.
Milk tree society – techno homo (white) 2005
foam, plastic, paper, glue, rubber
foam, plastic, paper, glue, rubber
I like to use a wide range of mainly unexpected, cheap, toxic or recycled materials. I like toxicity juxtaposed against charming appearances. Artificial materials that form organic-like structures allow me to introduce some form of narrative into the work. It reminds me of artificial intelligence.
Friday, April 11, 2008
olafur ELIASSON
Multiple Grotto, 2004. Take your time: Olafur Eliasson, installation view at San Francisco Museum of Modern Art; (c) 2007 Olafur Eliasson; photo: Ian Reeves, courtesy SFMOMAApril 20 - June 30 2008
MoMA + PS1
Take your time: Olafur Eliasson is the first comprehensive survey in the United States of works by Danish/Iclandic artist Olafur Eliasson, who creates very simple yet conceptually dense works which incorporate physical phenomena as known from nature to bridge the gap betwen art and natural science. The impulse of his work springs from his interest in the conflicts between nature and culture. it is his intense study of the results of scientific research that he channels into aesthetic experiences of poetic cimplicity. Eliasson's work is remarkably diverse and includes large-scale installations such as Your Strange Certainty Still Kept (1996), a working model of a thunderstorm inside an exhibition space, as well as quite simple pieces made of ephemeral and provisional materials such as ice, steam and light.
Your Strange Certainty Still Kept, 1996, Water, light (stroboscope), Plexiglas, plastic, recirculating pump, wood © Courtesy The Dakis Joannou Collection, Athens.
Inverted Berlin Sphere, 2005. Take your time: Olafur Eliasson, installation view at San Francisco Museum of Modern Art; (c) 2007 Olafur Eliasson; photo: Ian Reeves, courtesy SFMOMA Drawing from public and private collections worldwide, the exhibition will include 34 works that explore Eliasson’s diverse range of artistic production from 1991 to the present, including six new works created specifically for The Museum of Modern Art and P.S.1 Contemporary Art Center.
what a massive event; i am QUIVERING with excitement.
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